Writing a First Draft Part 5

Writing Down the BonesTip 5: Keep the creator and the editor separate.

This is an old writers’ adage heard by everyone who has ever taken Creative Writing 101. The funny thing about this adage: it’s true. If you try to edit as you write, or if you’re too critical as you write, you’re going to stifle yourself, and your creativity along with it. In Writing Down the Bones, Natalie Goldberg explains this far better than I ever could. Most of what I’m saying here I’m paraphrasing from her.

Don’t worry about anything when you’re writing your first draft except getting the words out of your head and onto paper. Place one word after another after another for however many days it takes to get that first draft done. When I’m teaching writing classes I call it a sloppy copy. If you know up front it’s going to be sloppy then you won’t waste time trying to make it right. If I have a question about what I’m writing, I type the question right into my draft (usually highlighted in bold to differentiate it from the text). If I’m not sure about the spelling of a word, or if I want a different word but can’t think of it without a thesaurus, I put the word in parentheses like (this) and keep going. Keep going, that’s the mantra of the first draft.

I’m saying “Keep going” to myself as much as anyone else. It’s so easy to put everything else in front of writing a first draft. Today I’m going through new submissions for Copperfield, and that takes time because I want to give each submission the attention it deserves. I’m pulling together the new interviews and reviews and formatting them for the web, which isn’t difficult as much as tedious. I also have to pull together paperwork for UNLV, where this fall I’ll be starting in the Ph.D. program in Teacher Education. And I’m researching the historical period for my new story since my next book is right back to historical fiction. If I’m still researching, then there’s no reason to work on the first draft, right? Right?  I was, I admit, relieved, if not a little giddy, at the thought.

But then, when I’m being logical, I know there’s no reason I can’t continue punching out my three pages a day for the first draft. My first draft is my way of allowing my mind to wander unimpeded through the story, nudging it here, tweaking it there. As I work through my first draft, I’m gaining a clearer idea how and where I want to fit my research into the story. After that I can move into my favorite part of writing–revising and rewriting–because the hardest part–the first draft–will be over. At least that’s what I tell myself while I’m typing out my three pages every night. In other words, despite everything else I have to do, I haven’t allowed myself to slack off from writing the first draft. I’m busy, just like everyone is busy, but I have to write my three pages every day or else I’m not happy with myself.

What did I start out talking about again? That’s right–keep the editor and the creator separate. Don’t stifle your creativity in your first draft. Let yourself soar. Sometimes it’s the craziest ideas that end up being the ones worth keeping.

And keep going.

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