I’ve said several times over the years that I’ve gone from being more focused on outlines to being more of a discovery writer. Some writers do well with an outline, and in the past, when I was less sure of my own writing process, I’d obsess over the outline. The truth is, some writers enjoy … Continue reading How to Structure Your Novel When You’re a Pantster: A Guide for Discovery Writers
storytelling
One Scene I Almost Cut From The Professor of Eventide (and Why I Kept It)
If you’ve been writing as long as I have, you already know that every novel we write contains scenes that seem to come effortlessly as well as scenes that have to fight to survive. In The Professor of Eventide, there was one scene (or really a series of scenes) that I came very close to … Continue reading One Scene I Almost Cut From The Professor of Eventide (and Why I Kept It)
How I Know a Story is Finished (Or Not)
Since I finished The Professor of Eventide, I’ve had some time to think about how I know when a book is finished. At what point is the book done done and at what point am I still tinkering just for the sake of changing things? I’ll start with the obvious answer: every author is different … Continue reading How I Know a Story is Finished (Or Not)
The No-Tropes Manifesto: Why I Choose the Unknown Over Formula
I feel a little funny saying this, especially since I was the executive editor of a literary journal for 23 years, but I hadn’t paid much attention to the word trope until a few years ago when it seemed like suddenly everyone was talking about it. These days, we see posts or vlogs about How … Continue reading The No-Tropes Manifesto: Why I Choose the Unknown Over Formula
How Summer Affects My Thinking and Creativity
I know I always say that autumn is my favorite time of year, and in many ways it is. I’m not a huge fan of the 100+ degree summer heat we get here in Southern Nevada, especially not the 100+ degree days that are also humid. However, I do get time off in the summer, … Continue reading How Summer Affects My Thinking and Creativity
Why Character Matters More Than Plot in Literary Fiction
Many writers are familiar with the long-standing debate over whether character or plot is more important. If you’re into Greek philosophers, Aristotle believed that, when speaking of tragedy, plot is more important and character is secondary. Others, who are not Aristotle, argue that character is the most important. What is the answer? It’s a trick … Continue reading Why Character Matters More Than Plot in Literary Fiction
Why Some Fictional Mysteries Don’t Want To Be Solved
Last week, I wrote a bit about the differences between traditional mysteries and inverted mysteries. I realized when I finished that post that I had more to say on the subject, so this week I wanted to talk a bit about the endings of mysteries and how sometimes there isn’t a convenient ending for some … Continue reading Why Some Fictional Mysteries Don’t Want To Be Solved
What Makes a Mystery an Inverted Mystery?
Some of the more general questions I’ve received lately have to do with inverted mysteries and what specifically makes an inverted mystery. To put it in its simplest terms, an inverted mystery reveals the central event (the murder or whatever the mystery is about ) early in the story. Instead of focusing on the solving … Continue reading What Makes a Mystery an Inverted Mystery?
Exploring Humanity Through Storytelling: The Heart of My Novels
Why I Focus on Humanity in my Storytelling One of the most common responses I've heard from readers is how human James Wentworth is. If you’re not familiar with the Loving Husband Trilogy, James Wentworth is one of the main characters. He’s also a vampire. He's also more humane than most of the humans in the … Continue reading Exploring Humanity Through Storytelling: The Heart of My Novels