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Thank you, Robin Williams: A Lesson in Gratitude

August 13, 2014March 31, 2023 / Meredith Allard / 4 Comments

I’m writing and posting this quickly before I change my mind, so, as Anne Lamott said in her own post on the same subject, this isn’t going to be proofread to perfection. I don’t usually comment on the passing of famous people since I’m not sure what I can add that someone more articulate than I … Continue reading Thank you, Robin Williams: A Lesson in Gratitude

Writing Historical Fiction: The Trail of Tears

June 11, 2012November 22, 2018 / Meredith Allard / Leave a comment

My interest in the Trail of Tears began four years ago. At the time, I was teaching U.S. history and I taught the Trail of Tears in some depth to my students. One day, not long after the 2008 presidential election, I was flipping the television channels and stopped long enough to listen to a … Continue reading Writing Historical Fiction: The Trail of Tears

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  • One Scene I Almost Cut From The Professor of Eventide (and Why I Kept It)
    If you’ve been writing as long as I have, you already know that every novel we write contains scenes that seem to come effortlessly as well as scenes that have to fight to survive. In The Professor of Eventide, there … Continue reading One Scene I Almost Cut From The Professor of Eventide (and Why I Kept It)
  • The Books That Shaped The Writer I Became
    When I think about the writer I’ve evolved into, after more than 20 years of learning and honing my craft, I can trace part of that journey through four books in particular: Bird by Bird by Anne Lamott, Writing Down … Continue reading The Books That Shaped The Writer I Became
  • How I Know a Story is Finished (Or Not)
    Since I finished The Professor of Eventide, I’ve had some time to think about how I know when a book is finished. At what point is the book done done and at what point am I still tinkering just for … Continue reading How I Know a Story is Finished (Or Not)
  • The No-Tropes Manifesto: Why I Choose the Unknown Over Formula
    I feel a little funny saying this, especially since I was the executive editor of a literary journal for 23 years, but I hadn’t paid much attention to the word trope until a few years ago when it seemed like … Continue reading The No-Tropes Manifesto: Why I Choose the Unknown Over Formula

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