Last week, I wrote a bit about the differences between traditional mysteries and inverted mysteries. I realized when I finished that post that I had more to say on the subject, so this week I wanted to talk a bit about the endings of mysteries and how sometimes there isn’t a convenient ending for some … Continue reading Why Some Fictional Mysteries Don’t Want To Be Solved
writing inspiration
What Makes a Mystery an Inverted Mystery?
Some of the more general questions I’ve received lately have to do with inverted mysteries and what specifically makes an inverted mystery. To put it in its simplest terms, an inverted mystery reveals the central event (the murder or whatever the mystery is about ) early in the story. Instead of focusing on the solving … Continue reading What Makes a Mystery an Inverted Mystery?
Ask Me Anything: The Professor of Eventide (Author Q&A)
Welcome to The Professor of Eventide edition of Ask Me Anything! Here are some of the questions I received from my newsletter friends and from readers of this blog. This is a spoiler-free discussion, so if you haven’t read the novel yet but you’re curious, you’ll be safe here. When I do my next #AMA … Continue reading Ask Me Anything: The Professor of Eventide (Author Q&A)
How I Protect My Creative Energy on Days That Aren’t Writing Days
I'm not a fan of that old writer's adage that insists that we should write every day. Maybe that works for some writers, but it doesn't work for me. When I'm working on a project, I tend to treat it like a job. I write Mondays - Fridays and take the weekends off. Not every … Continue reading How I Protect My Creative Energy on Days That Aren’t Writing Days
The Slow Burn: Why Some Stories Need To Take Their Time
I’ve been hearing the term slow burn a lot lately when it comes to books. I knew what slow burns meant in terms of romance, but I hadn’t considered the concept of slow burn when it comes to other genres. A slow burn story is a narrative technique that focuses on gradual tension, deep character … Continue reading The Slow Burn: Why Some Stories Need To Take Their Time
What Is Upmarket Fiction?
For a long time, I didn’t know what to call what I write, which is fine in one respect because I’ve never been particularly tied down in what I write. One of my favorite authors is Kazuo Ishiguro, and one of the things I love about him is that he isn’t tied down to any … Continue reading What Is Upmarket Fiction?
The Challenges of Editing a Novel After the Drafting Stage
I’ve been pretty lucky with readers’ responses to my writing style. I’ve had so many questions about how I write the way I do, and what I try to explain to other writers is that I don’t write like that–I edit like that. When I’m writing a draft, I’m simply trying to get the words, … Continue reading The Challenges of Editing a Novel After the Drafting Stage
The Art of Ending Well: How to Write Satisfying Conclusions
Last week, I wrote about what finishing a book teaches you as a writer. This week, I wanted to take a look at what a good ending in fiction looks like. One of the first things I know about any story I’m writing is how it ends. For my current #WIP, I saw the final … Continue reading The Art of Ending Well: How to Write Satisfying Conclusions
What Finishing a Book Teaches You as a Writer
Well, friends, as I've said, The Professor of Eventide is done and ready for its close-up. The funny thing is, I’m almost sorry it’s done. It has been quite a challenge bringing this story to life. On the one hand, I’m looking forward to getting back to all the things I love that I’ve been … Continue reading What Finishing a Book Teaches You as a Writer
The Truth About Historical Fiction Research: Mistakes Are Inevitable
When I wrote my first non-fiction book, Painting the Past: A Guide for Writing Historical Fiction, I was drawing on more than two decades of experience reading, writing, and publishing historical fiction. I enjoyed writing that book because I love sharing the lessons I’ve learned about writing. Painting the Past was published in 2021, five … Continue reading The Truth About Historical Fiction Research: Mistakes Are Inevitable